Anagram is more than just a sofa: it is a family made up of a few modules and elements that can be used to quickly respond to the needs of the moment as well as major life changes.
The Suita sofa system combines light and slender volumes with an industrial and technological aesthetic. The geometrically precise body and cushions seem to float above the sleek, bridge-like aluminium legs, in what can be seen as a tribute to mid-century
Charles Eames initiated the development of the Lounge Chair, a process that took several years. The aim was to satisfy the desire for an amply proportioned chair that combined ultimate comfort with the highest quality materials and craftsmanship.
The Rotary Tray is a contemporary rendering of the classic etagere by Jasper Morrison. Thanks to its simple shape and subtle colours, the Rotary Tray complements any interior style and lends itself to many different uses. Whether in the kitchen or on the
Charles and Ray Eames enriched the collage-like interior of their private home, the Eames House, with numerous objects and accessories that they brought back from their travels. For over fifty years, the figure of a wooden bird has stood in the centre of
Designed by Dorothee Becker, Uten.Silo (1969/70) brings order to offices, kitchens, workshops, bathrooms and children's rooms. It is available in two different sizes and three colour options: white, black or red.
The Suita sofa system combines light and slender volumes with an industrial and technological aesthetic. The geometrically precise body and cushions seem to float above the sleek, bridge-like aluminium legs, in what can be seen as a tribute to mid-century
Anagram is more than just a sofa: it is a family made up of a few modules and elements that can be used to quickly respond to the needs of the moment as well as major life changes.
Charles and Ray Eames designed the small, sturdy occasional table LTR (Low Table Rod Base) in 1950 and later used it in their own residence, the famed Eames House, in a variety of different ways.
The Coconut Chair by George Nelson is a spacious lounge chair with an instantly recognisable shape that makes a striking accent in diverse settings such as lobbies, lounges and waiting areas.
In creating his design for the Coffee Table, Isamu Noguchi translated the biomorphic aesthetic of his sculptural works into a piece of furniture with distinctive organic forms.
With his collection of Wall Clocks (1949-1960), George Nelson conceived a wide array of timepieces, many of which have since become icons of 1950s design.
L’Oiseau by Ronan and Erwan Bouroullec is a decorative wooden figure which has been milled from natural maple and sanded smooth. Reminiscent of the wooden objects in Nordic folk art.
With the 2019 update, colour now links the Eames Plastic Chairs and Eames Fiberglass Chairs that have long belonged together. An extensive process of research led to the creation in which the two groups of chairs reaffirm their affinity with one another.
Conceived by Verner Panton in 1959, the Panton chair was developed for serial production in collaboration with Vitra. Today, the all-plastic chair is an icon of twentieth-century design. It has received numerous international design awards.
The robust members of the Cork Family stand firmly, making them suited for use as side tables or stools. They benefit from the advantageous natural properties of cork: comparatively lightweight and extremely durable, they also have a velvety surface that
A four-legged tubular steel base and the organically shaped Side Chair shell are the defining components of the visually understated DSX. The seat shell comes in various colours and the powder-coated base is suitable for outdoor use.
Jean Prouvé designed the Lampe de Bureau (1930), a small table lamp made of sheet steel, for the halls of residence at the Cité Universitaire in Nancy.
De Nelson Bench is gemaakt van essenhout en combineert de natuurlijke kleur van de zitting met de zwarte afwerking van het onderstel. De strakke, lineaire vorm benadrukt de architecturale achtergrond van de ontwerper, George Nelson. Het ontwerp kan gebrui
Chaise Tout Bois corresponds to one of Jean Prouvé's design variants from 1941, whose construction does not require a single screw. The height and seat geometry are the same as those of the Standard chair and thus meet current norms and requirements.
