The small Lounge Chair Wood (LCW) is an iconic design by Charles and Ray Eames that dates from the period of their early experiments with three-dimensionally moulded plywood.
The Akari Light Sculptures by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’
The so-called Eiffel Tower base of the DSR chair, an intricate and graceful construction made of steel wire, combines light, elegant forms with structural strength.
The Colour Frame Mirror by Julie Richoz is enriching the category of mirrors with its striking design, inspired by building blocks and their possible combinations.
The Coconut Chair by George Nelson is a spacious lounge chair with an instantly recognisable shape that makes a striking accent in diverse settings such as lobbies, lounges and waiting areas.
Tip Ton by Edward Barber and Jay Osgerby is more than just an all-plastic chair with a distinctive contemporary design. Thanks to an alternative forward-tilt position, it also provides ergonomic seating. It is stackable and 100% recyclable.
Vitra and Jasper Morrison have successfully translated the basic principle and distinctive comfort of the classic cantilever chair into an ergonomic model: EVO-C. Morrison's aim was to eliminate all superfluous details.
Charles and Ray Eames designed the small, sturdy occasional table LTR (Low Table Rod Base) in 1950 and later used it in their own residence, the famed Eames House, in a variety of different ways.
The Plastic Chairs number among the most well-known designs by Charles and Ray Eames. One model has always stood out in this large family of chairs: the Rocking Armchair Rod Base (RAR).
Since the early 1950s, when Charles and Ray Eames developed their Plastic Chairs, these furnishings have become icons of American mid-century modernism.
Charles and Ray Eames designed the small, sturdy occasional table LTR (Low Table Rod Base) in 1950 and later used it in their own residence, the famed Eames House, in a variety of different ways.
Eames Fiberglass lounge chair LSR - basic dark base
€780,00
In stock
Check out the iconic LSR chair - a favourite of the legendary design duo, Charles and Ray Eames! Whether you use it to chat with friends or to add a touch of style to your space, this compact chair is a must-have.
Abat-Jour Conique is the first lampshade designed for Potence by Prouvé in 1947 and is intended for use with the Potence and Petite Potence lamps. It is simply fitted over the light bulb and can be removed again when needed.
Four contrasting color blocks make up the decorative pattern. This cozy blanket is made of Peruvian highland wool, from a breed of sheep obtained by crossing a Merino, known for its soft wool with a Corriedale for its sturdy fiber.
Designed by Jasper Morrison, the All Plastic chair is reminiscent of classic wooden chairs while advancing the appearance and functionality of this typology. The graceful chair combines great stability with excellent comfort; its backrest is attached to t
Anagram is more than just a sofa: it is a family made up of a few modules and elements that can be used to quickly respond to the needs of the moment as well as major life changes.
With the 2019 update, colour now links the Eames Plastic Chairs and Eames Fiberglass Chairs that have long belonged together. An extensive process of research led to the creation in which the two groups of chairs reaffirm their affinity with one another.
This wooden table is a variation of Prouvé's architecturally informed design vocabulary in a natural material, proving that modern tables do not have to be made out of steel and glass.
A synchronised mechanism is concealed beneath the upholstery of the Grand Repos wing chair and can be locked in any position, for optimum back support and utmost comfort at any reclining angle.
With the 2019 update, colour now links the Eames Plastic Chairs and Eames Fiberglass Chairs that have long belonged together. An extensive process of research led to the creation in which the two groups of chairs reaffirm their affinity with one another.
The Suita sofa system combines light and slender volumes with an industrial and technological aesthetic. The geometrically precise body and cushions seem to float above the sleek, bridge-like aluminium legs, in what can be seen as a tribute to mid-century
