The robust members of the Cork Family stand firmly, making them suited for use as side tables or stools. They benefit from the advantageous natural properties of cork: comparatively lightweight and extremely durable, they also have a velvety surface that
The slender, elegantly splayed metal legs of the Compas Direction desk by Jean Prouvé (1953) call to mind the hinged arms of a compass – ‘le compas’ in French. Their design is based on engineering principles that typify the structural approach of the Fren
In the early 1940s, Charles and Ray Eames spent several years developing and refining a technique for moulding plywood into three-dimensional shapes, creating a series of furniture items and sculptures in the process. Among these initial designs, the two-
Charles and Ray Eames designed the small, sturdy occasional table LTR (Low Table Rod Base) in 1950 and later used it in their own residence, the famed Eames House, in a variety of different ways.
The HAL RE Tube chair is designed with a classic, unassuming four-legged base and a flexible shell made of recycled plastic offering excellent comfort. It is perfectly at home in a wide variety of settings.
The Plastic Chairs number among the most well-known designs by Charles and Ray Eames. One model has always stood out in this large family of chairs: the Rocking Armchair Rod Base (RAR).
This wooden table is a variation of Prouvé's architecturally informed design vocabulary in a natural material, proving that modern tables do not have to be made out of steel and glass.
Soft Seats are loose seat cushions that add comfort to unupholstered chairs. They are available in three shapes and can be used on diverse chair models. The covers are offered in leather and a choice of fabrics and come in a wide palette of colours.
Four contrasting color blocks make up the decorative pattern. This cozy blanket is made of Peruvian highland wool, from a breed of sheep obtained by crossing a Merino, known for its soft wool with a Corriedale for its sturdy fiber.
The Akari Light Sculptures by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’
A four-legged tubular steel base and the organically shaped Side Chair shell are the defining components of the visually understated DSX. The seat shell comes in various colours and the powder-coated base is suitable for outdoor use.
With the 2019 update, colour now links the Eames Plastic Chairs and Eames Fiberglass Chairs that have long belonged together. An extensive process of research led to the creation in which the two groups of chairs reaffirm their affinity with one another.
Petit Repos adds a low lounge chair to the family of chairs by Antonio Citterio. Like the Grand Repos and Repos lounge chairs, it is distinguished by its high-quality materials, outstanding comfort and contemporary design.
The Guéridon table, which was produced by the designer and engineer Jean Prouvé for the University of Paris, is a convincing demonstration of clear structural principles.
Abat-Jour Conique is the first lampshade designed for Potence by Prouvé in 1947 and is intended for use with the Potence and Petite Potence lamps. It is simply fitted over the light bulb and can be removed again when needed.
Rookie (2018) by Konstantin Grcic is a small, agile and – by office standards – unconventionally simple chair. It provides a high level of immediate comfort with a minimal number of adjustments.
Jasper Morrison continues his 'super normal' design approach with Moca, combining an understated aesthetic with robust high-quality materials to create an extremely durable chair.
Stackable up to 6 chairs.
Charles and Ray Eames designed the small, sturdy occasional table LTR (Low Table Rod Base) in 1950 and later used it in their own residence, the famed Eames House, in a variety of different ways.
Since the early 1950s, when Charles and Ray Eames developed their Plastic Chairs, these furnishings have become icons of American mid-century modernism.
Since the early 1950s, when Charles and Ray Eames developed their Plastic Chairs, these furnishings have become icons of American mid-century modernism.
The Belleville Armchair is a hybrid chair, whose seat shell is available in multiple materials. Each version lends the elegant chair a distinctive identity. The characteristic, forward curving armrests offer relaxing comfort and the model.
